Why Do You Need Color Correction?

AlphaDogs_TCurren_ColorCorrection_004

    Watch this episode of Editor’s Lounge with Terence Cullen of post house AlphaDogs and you’ll see why color correction is important. While Terence talks about color correction in post, the concepts are even more important for live production, where you have to get your color correct before you start your show. All the … Read more…

Lens Filters for the Live Video Shooter

PiccoloNamekWikimedia_CPL_maxresdefault_caption

When you shoot to record your footage for later editing, it’s easy to think about fixing any color issues in post production – but Noam Kroll makes the fair point in the blog at Premium Beat that you shouldn’t, because post processes really cannot duplicate the same look and color effects of a real lens … Read more…

Making the Right Audio Connections for Live and Corporate Video

ozer_xlr1_comp001

Whether shooting in a corporate studio or in the field at a live event, if you want to get great audio you’ll need to properly connect the right microphones to your cameras for the job, or, when you can, take live audio feed from the studio or location sound board.  Jan Ozer has done a … Read more…

PTZOptics: Live Drone Footage with TriCaster

PTZOptics_Drone_TriCaster_Comp_002_cropmod

Adding a live aerial shot from an outdoor performance or sporting event can really kick up the cool factor on your live stream for your viewers. Paul and Andy from PTZOptics describe how to capture live footage with a drone and bring it into TriCaster.  They note this was a “fun example of putting together … Read more…